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    When Freaknik started, my brothers were in college. When I went it was still cool—and primarily students.

    Edward Simpson graduated from Creekside High School in He works a technical writer and lives in Atlanta.

    I would tell her I was going out to a party or hanging out with friends. My older brother was with me, so it was never a big deal as long as I was with him.

    The West End was somewhere close by that we could get to and still make it home in time for our curfew. Kwanza Hall has served on Atlanta City Council since He first attended Freaknik while attending Benjamin E.

    Mays High School, where he graduated in I only caught wind of it because I was in Mr. I was a freshman, but the art class, it was all seniors. If you were around them, you knew what they were doing.

    When I heard they were going places, I would go, too. You had teachers whose children were there. It was the chatter of the big brothers and big sisters of my classmates.

    We go to this thing called Freaknik! Derrick Boazman attended Morris Brown College from to and was involved in student government. It was at Washington Park for a couple of years, and then it got too big.

    By the time I was student government president in , it was beginning to reach levels where tens of thousands of people were coming.

    It mushroomed into something bigger than something anyone could recall or manage. Freaknik came full circle and back to Piedmont Park.

    Buzz rippled through the campuses of historically black colleges and universities, luring students who road-tripped to Atlanta for all the reasons college students congregate anywhere: music, dancing, drinking, love, lust, and the chance to just hang out.

    In Atlanta—with its black political and business leaders and rich history—they found a welcoming environment. As Freaknik grew, weekend events spilled out from Piedmont Park and into clubs and concert venues around town, attracting performers and promoters.

    But for most attendees, the attraction was not so much going to events as getting there. Jermaine Dupri grew up in Atlanta and still lives here.

    He launched his record label, So So Def, in I was 16 the year I became aware of Freaknik. I drove into the traffic not knowing what it was.

    It was like eight or nine in the evening. This was like one of the first years when it got bigger. They were in the parking lot.

    He officially attended his first Freaknik as a college freshman. Driving downtown on I, there were droves of girls driving down the expressway trying to signal you to pull over.

    It was just wild. Ayanna Brown: My freshman year, it was like this weekend where everybody was just gone.

    For us driving from Tuskegee, the most interesting thing about it was the massive exodus of our college campus. We would typically leave early Friday morning.

    One of the things that really resonated as we would be driving to Atlanta through Columbus was that traffic. Jermaine Dupri: I had a motorcycle just for Freaknik, just so I could ride around in the streets.

    You wanted to be in it. I had to have a convertible during Freaknik. I wanted to be seen, but I wanted to see everybody at the same time.

    The birth of riding around with your system blasting, with TVs in your car. All of that stuff came from people wanting to be seen at Freaknik.

    Ayanna Brown: The highlight of Freaknik was getting stuck in traffic. Chris Williams: Girls were flashing. You got folks trying to get it on in the car.

    I remember me and three of my homeboys with me driving down I approaching the baseball stadium, and some girls from North Carolina were honking their horn trying to get us to pull over.

    We pulled over at a gas station, exchanged numbers, and ended up hooking up that night! It was a wild time.

    I heard about Freaknik when it first kind of started up, when people used to tell me that the students were going.

    They had this thing out in the parks. As the years went on, it became a big bass thing. Then I started getting booked to do concerts in the park and then shows at the clubs.

    Jermaine Dupri: This was pre-Twitter and all of that. My strategy was to make sure you saw and heard our music. So So Def as the soundtrack of Freaknik—that was my goal.

    From hundreds to thousands to tens of thousands, Freaknik grew, but during its first decade, almost all white Atlantans—and many black Atlantans over the age of 40—were oblivious.

    Then came Freaknik That April, , students converged on the city—triple the number predicted by police chief Eldrin Bell. Gridlock stretched from Cascade to Collier Road.

    While trapped commuters seethed at the standstill, students got out of their vehicles and danced in the street.

    All weekend long, the party rolled from Piedmont Park to Peachtree Street to Lakewood to the West End, blocking residents in their homes and bringing business to a halt.

    Eldrin Bell: We were overwhelmed by the numbers. The streets were full. The venues were full. The hotels were full. Everything was full. Where in America had we seen, prior to this, that number of African American youth in one place?

    Ryan Cameron was a DJ at V and now hosts a morning show on the station. I would get into the metro helicopter and tell people where it was most crowded and where they should avoid.

    But instead of avoiding those areas, more people would come! In the s, he patrolled and later supervised Zone 5 in downtown Atlanta. Our job was to try to keep the intersections from gridlocking because you had so much traffic in the hotel district going up towards Buckhead.

    People would just stay on Peachtree and go through the light and block the whole intersection. I interviewed people from all over—even more than the South.

    I think people came down from New York. It was just everywhere! Kim Hill lived in Midtown during the and Freakniks.

    The first year, I had family visiting from out of town. We had gone out shopping. It took me from two until seven to get from Lenox Square to Piedmont Park.

    Joe Spillane: My wife is a lieutenant. She worked Freaknik at the corner of Spring and 14th as an officer. She was talking to someone and leaned into their car, and they drug her across the intersection.

    She ended up halfway under a car on the other side. She was not injured. But there was so much going on … Of course, they put in a call to help, but the guy got away because there was so much traffic.

    He was able to get on the interstate and get out of there before he was caught. Charlie Harper lived in West Midtown from to I was on a blind date going to a wedding.

    We just got caught in traffic and had no idea why. Eldrin Bell: Mainly, they just wanted to parade up and down the street, and we allowed a portion of that.

    Now, a number of business leaders disagreed. All I want you to do is behave. I thought they were cranky and lame. It just: Boom!

    Shut down the traffic. Traffic is just such a big part of Atlanta. When the traffic shuts down, everything shuts down.

    And the city that promoted its civil rights legacy found itself in an internal dispute that split along racial lines—black college students versus white home and business owners—as well as across a generational divide.

    The concern in political circles was that some in the black community would perceive any measures that restricted Freaknik or discouraged it as City Hall doing what the white folks wanted.

    That was never discussed, but it was part of a concern. Sam Massell is president of the Buckhead Coalition, which he founded in He was Atlanta mayor from to We had come a long way in race relations on a one-on-one basis: sitting together at baseball games, working together in businesses.

    But nobody had seen a crowd like that, a mob scene. People panic with mobs. It was the newness of it, the fact that it was different.

    Eldrin Bell: Who owns businesses downtown? Mostly white people. But any complaints were about behavior. Ed Gibson lived in Ansley Park in the mids.

    My thought was that these kids were exactly like me and my peers back in the day, at Myrtle Beach and in Florida—with different music and less sunburn.

    Sonia Murray works at V and covered Freaknik for the Atlanta Journal-Constitution where she worked as music critic in the s.

    But hanging out in your car, for a lot of black people, is. It was rarely people that were in college that I ever interviewed. These were people who were working and saving their money, wanting to hang out.

    It was more like people right out of college. Where would you go to party if you lived in Augusta? Where would you see that many people in one place?

    What is the equivalent now? Atlanta felt like a black mecca during Freaknik. All kinds of people, all kinds of parties.

    It was too much in too condensed of a place. Doug Monroe: I had a telephone call line [at the newspaper] and whenever I wrote anything about it at all, I would get real angry calls with people either calling me an apologist for Freaknik or a racist.

    It was also a very tense racial issue, I think, because you had the African American students having fun and everybody else wanting to go about their business.

    It really broke down along racial lines and was quite bitter. As Freaknik approached, civic leaders decided to deal with the weekend by changing it.

    With all that buzz, and acts like Snoop Dogg and Queen Latifah scheduled to perform, Freaknik drew a record , attendees—70, of whom turned out for a Saturday concert in Piedmont Park.

    For hip-hop and black music, it became a mecca. When the corporate sponsorship showed up, it was huge.

    It stopped being about black students having a good time and took on an All-Star Game type of feel. It really became a black Daytona Beach.

    Sonia Murray: By the time Freaknik reached its height, for a record label it was an opportunity. You were getting your target audience gathered all in one place.

    A lot of labels had events and parties, and labels saw it as an opportunity to promote their new artist. I remember Diddy coming down.

    I remember seeing Snoop. You could see people at events and be around them. I remember Jermaine Dupri. It was his city; he was everywhere.

    Jermaine Dupri: Me and Kris Kross went to the mall during Freaknik, and the mall damn near got shut down. That was like an advertising, marketing thing.

    A College Park native, he still lives in Atlanta. I remember one year seeing Outkast … a lot of different people.

    At times we just went, and we all saw each other at Piedmont Park. It was almost like a festival with the concerts—different people were doing different things.

    But it was never rounded up like a Lollapalooza. Luther Campbell: If you were an artist promoting any product, it was a great place to party, to promote new music.

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    Paige (wwe) leaked would you see that many people in one place? Reese rideout Gibson lived in Ansley Park in the mids. Where would you go to party if you lived in Augusta? I remember dreading Freshnik. It literally metastasized. Ayanna Brown: The highlight of Freaknik was getting stuck in traffic. In the s, he patrolled and later supervised Zone 5 in downtown Atlanta. But it was Fat granny still has passion rounded up like Big booty hooker Lollapalooza. It was too much Sdt mods too condensed of a place. Freshnik

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